Aggressively Inspirational Forwards: PUPPY SIZE
THIS IS A TERRIFIC STORY, BUT YOU MUST READ IT, DON’T JUST LOOK AT THE PICTURES!!!!!
Puppy Size
This is one of the neatest stories you will ever hear. You will know precisely what this little girl is talking about at the end (you’ll want to share this one with your loved…
This man is arguably the first ‘silver fox’ to enter my life. I raised myself on Matlock - the suits, the smirks, the beautiful women, the puzzle-solving. All of it. What a goddamn handsome and charming man.
I guess part of me saw him as immortal. Or at least immortal to the point when I would get to meet him in person, at which point he would be free to leave this earth. In a way, he was a bit immortal. He played the role of Matlock starting in ‘86 - 26 years ago - and seemed like quite an old man then. Which just goes to show you, 60 is the new 40.
What a face. Thank God for reruns.
Get shit done.
(via Infographic Of The Day: 13 Rules For Realizing Your Creative Vision | Co. Design)
NOT FOR SALE, NOT FOR ANY PRICE
Self Portraitever the dilettantecolette made a valiant attempt to express her own likeness in pastelswhile the vignette failed to capture her visage, physique, skin tone, hair color, and expressionshe still displayed it proudly on the mantlea testament to her raw creative spirit
not for salenot for any price
(via ANTHROPARODIE)
I think it’s safe to say I want every single thing from Baron Wells.
Yep. Safe.
(via lookbook « Baron Wells)
Tiger Beatdown › The Percentages: A Biography of Class
“But I believe in the value of specific histories. The more I write, the more I know this: “Objectivity” is nowhere to be found on this Earth. Everything you are, as a writer or an activist — every place you come from, everything you’ve learned — is called upon, every time you set forth to speak or to change the world. The less we know what we carry, the more it undermines everything we do. And to write from one’s own experience, to construct a biography, is to understand where one connects with the world. This is specifically a biography of class. But I see gender, in this history, very clearly; I see heterosexuality, and I see race, and I see disability; I see location in time and space, and don’t believe any of these things are fundamentally separate from the ways money and culture (and culture is money, of course, always was; “taste” has never been an absolute good, never divorced from the reality of production and consumers) construct our lives in the world.”



